Corny, who do you think you're talking to?
lf the Semple attorneys don't know who the heir is, who does?
Come on, Corny. I've done you a lot of favors. Who's getting the Semple dough?
You're asking the wrong guy, Mac. I'm only a press agent.
- Newspaperman? - Wants to know who the heir is.
- Hang up. - Sorry, Mac, l can't--
- Yeah, sure, but I ain't the attorney. - Hang up!
Mr. Cedar is, and l haven't seen him in two days.
- Cedar, we gotta deal with the papers. - l'm not interested in the newspapers.
But it's a great story. Somewhere a guy is walking into 20 million bucks.
My first concern is to locate the Iucky man.
When l do, you keep the newspapers away from him.
Okay, as long as that weekly stipend keeps coming in.
We located him, Mr. Cedar.
- Yes, John, we got him. - Here's the report.
Longfellow Deeds, single, 28, lives in Mandrake FalIs, Vermont.
- Thank heaven. - Better wire him.
l'll do no such thing. l'm going there myself. You too, Anderson.
You too, Cobb.
Make three train reservations to Mandrake Falls, Vermont.
- Where? - Mandrake Falls.
""WeIcome to Mandrake FalIs...
where the scenery enthraIls...
where no hardship e'er befaIls.
Welcome to Mandrake FaIls.''
That's pretty.
- You're sure he lives in this town? - This is the town, all right.
Well, I hope it's not a wild goose chase.
No, sir, we checked it thoroughly. He lives here, all right.
l spy a native. Let's ask him.
- Good morning. - Morning, neighbors, morning.
That's an excellent start. At least we've broken the ice.
Do you know a fellow by the name of LongfelIow Deeds?
Deeds? Yes, sir. Yes, indeedy.
Everyone knows Deeds.
Must be a game he's playing.
We'd like to get in touch with him.
- Who's that? - Deeds. Who do you think?
Oh, yes, Deeds. Fine fellow. Very democratic.
You won't have no troubIe at all. TaIks to anybody.
- We'd better try somebody else. - No.
Next time he comes out, I'Il straddle him while you ask him your questions.
Morning, neighbors.
Remember us, the fellows who were here a minute ago?
Oh, yes, indeedy. l never forget a face.
Listen, pop.
We've come all the way from New York to look up a fellow named Deeds.
lt's important. lt's very important.
Don't get rough, neighbor. Just ask.
Then please pretend, for just one fleeting moment, that l'm asking.
- Where does he reside? - Who?
Longfellow Deeds. Where does he live?
Oh, that's what you want. Why didn't you say so in the first place?
Those felIows don't know what they're talking about. l'll take you there.
If they'd only explained to me what they want, there'd be no trouble.
Oh. Will you come in, please, gentIemen?
- ls Mr. Deeds in? - No.
He's over to the park arranging a bazaar to raise money for the fire engine.
Mal, you should've knowed he was in the park.
Knowed it all the time, but they wanted to see the house.
Can't read their minds if they don't say what they want.
Come in, pIease.
- Can l get you a cup of tea? - No, thank you.
Sit down. Sure l couldn't get you a glass of lemonade or something?
No. That's very kind of you.
- Are you related to him? - No, l'm his housekeeper.
We'd like to find out something about him. What does he do for a living?
He and Jim Mason own the tailor works, but that's not how he makes his money.
- He makes most of it from his poetry. - He writes poetry?
Oh, my goodness, yes. LongfelIow's famous.
He writes alI those things on postcards.
You know, for Christmas and Easter and birthdays.
Sit down, please.
Here's one. He got 25 doIlars for this one.
""When you've nowhere to turn and you're filled with doubt...
don't stand in midstream hesitating...
for you know that your mother's heart cries out--
'l'm waiting, my boy, l'm waiting.'''
lsn't that beautifuI? lsn't it a loveIy sentiment?
Yeah.
Here he is now.
l suggest you break it to him gently. He's liable to keel over from the shock.
They've been waiting a long while.
- Who are they? - I don't know.
- Mr. LongfeIlow Deeds? - Yes.
How do you do?
l'm John Cedar, of the New York firm of Cedar, Cedar, Cedar and Budington.
Budington must feel like an awful stranger.
- Mr. Cornelius Cobb. Mr. Anderson. - How do you do?
You gentIemen make yourselves comfortable.
Thank you.
Thanks.
New mouthpiece. Been waitin' two weeks for this.
Kids keep swiping them all the time. They use 'em for bean shooters.
- What can l do for you gentlemen? - You gentlemen going to stay to lunch?
- l'd Iike to ask you a few questions. - AIl right.
- Are you Joseph and Mary Deeds' son? - Yes.
- Your parents living? - Why, no.
Well, Mr. Deeds, does the name of Martin W. Semple mean anything to you?
Not much. He's an uncIe of mine, l think.
l never saw him. My mother's name was Semple.
Well, he passed on. He was kilIed in a motor accident in Italy.
He was? Gee, that's too bad.
- lf there's anything l can do-- - l have good news for you, sir.
Mr. Semple left a large fortune when he died.
He Ieft it all to you.
Deducting the taxes...
it amounts to something in the neighborhood of 20 million dollars.
How about Iunch? Are the gentlemen staying?
Of course.
She's got some fresh orange layer cake with that thick stuff on the top.
Sure. They don't want to go to the hotel.
Perhaps you didn't hear what l said, Mr. Deeds.
The whole Semple fortune goes to you-- 20 million dollars.
Oh, yes, l heard you, all right. Twenty miIlion is quite a lot, isn't it?
- lt'll do in a pinch. - Yes, indeed.
l wonder why he left me alI that money. l don't need it.
Mr. Cobb here is an ex-newspaperman.
Associated with your uncle for many years, as a sort of buffer.
Buffer?
Yeah. A gIorified doormat.
Rich people need someone to keep the crowds away. The world's fulI of pests.
Then there's the newspapers.
One must know when to seek publicity and when to avoid it.
Cedar, Cedar, Cedar and Budington.
l can't think of a rhyme for ""Budington.''
Why should you?
Whenever l run across a funny name, l like to poke around for a rhyme.
- Don't you? - No.
- I've got one for Cobb. - Yeah?
There once was a man named Cobb who kept Semple away from the mob.
Came the turn of the tide and SempIe, he died.
Now poor Cobb's out of a job.
- Sounds like two weeks' notice to me. - Huh?
l've gotten the sackeroo in many ways, but never in rhyme.
I don't mean that. l'll need your heIp.
That's different, if it's just poetry.
Are you married?
Who, me? No.
He's too fussy for that. That's what's the matter with him.
There's Iots of nice girls right here in Mandrake FalIs--
Don't pay any attention to her.
He's got a lot of foolish notions about saving a lady in distress.
Now, you keep out of this.
Saving a Iady in distress, eh? We aIl have dreams like that when we're young.
lncidentally, we'd better get started. You'll have to pack.
- What for? - You're going to New York with us.
- When? - This afternoon, 4:00.
l don't think we've got any suitcases.
WelI, we could borrow a couple from Mrs. Simpson.
She went to Niagara Falls last year.
l'm kinda nervous. l've never been away from Mandrake FalIs in my life.
- Like to see Grant's tomb, though. - I can understand that.
We'll meet you at the train at 4:00.
Congratulations, Mr. Deeds. You're one of the richest men in the country.
See you later. Good-bye. Thank you.
- See you later, kid. - Good day, sir.
Did you hear what he said? Do you know how much 20 milIion is?
I don't care. You sit there and eat your lunch. You haven't touched a thing.
For he's a jolly good fellow For he's a jolly good fellow
Which nobody can deny
l can't find him. l looked everywhere. His house is Iocked up.
- Probably had a change of heart. - He wasn't anxious to come.
Here comes the train.
- Look. - What?
That tuba player.
Well...
now I've seen everything.
Good-bye, Mrs. Meredith!
Good-bye, Jim!
Bye, Buddy!
Gosh, l got a lot of friends.
- Have a drink? - No, thanks.
Cigar?
No, thank you.
l wouldn't worry if l were you.
A large portion like this entails great responsibility, but you'll have help.
So don't worry. Leave everything to me.
- l wasn't worried about that. - No?
l was wondering where they're gonna get another tuba player for the band.
- Hello, John. Where you been? - I've been fishing.
Good morning, Mr. Cedar.
Good morning. Where are they?
- Waiting for you. - Good morning, Mr. Cedar.
Good morning.
- Hello, boys. - WeIl, what's he like?
We've nothing to worry about. He's as naive as a child.
CIose that door.
- Get Mrs. Cedar on the phone. - John, what happened?
The smartest thing l ever did was to make that trip.
- John, did you get-- - No, Budington.
l didn't get the power of attorney, but I will.
l asked him what he was going to do with the money. What do you suppose he said?
Give it away.
- The boy must be a nitwit. - John, you had the right hunch.
- John, we can't afford-- - l know, Budington.
We can't afford to have the books investigated right now.
You've said that a thousand times.
What if they faIl into somebody else's hands?
lt hasn't happened yet.
But haIf-a-million dollars, my goodness--
Will you stop worrying!
l got SempIe to turn it aIl over to us. And who got power of attorney from him?
All right, then l'll get it again.
Now, take it easy. Those books will never leave this office.
Yokel. Nothing but a yokel.
Your uncle must've been mad to leave all that money to him.
You're as closely related to him as he is, and what did you get?
- I say, what did you get? - Stop yelling.
- Can l heIp it if Uncle didn't like me? - l told you to be nice to him.
Ten years we've waited for that old man to kick off.
Then we were gonna be on Easy Street. Yeah, on Easy Street.
- It's too late now. You're a nuisance. - That's just what I'm gonna be.
I'm gonna be a nuisance until I get ahold of some of that money.
He's news!
Every time he blows his nose, it's news.
A corn-fed bohunk like that falIing into the Semple fortune is hot copy.
lt's gotta be personal. lt's gotta have an angle.
What does he think about? How does it feel to be a millionaire?
What does he think of New York? ls he smart? Dumb? A milIion angles.
He's been here three days, and what have you numbskulls brought in?
-A half-wit novice could've done better. -We tried--
Am I talking too loud or annoying anybody?
You know Corny Cobb. He's keeping him under lock and key.
Never mind. Use what little brains you've got.
Find out something for yourselves, you imbecilic stupes.
Now get out of here before l really tell you what l think of you.
- What was that? - l said you had dirty plaster.
You too.
Thought l could depend on you, but you're as bad as the rest.
Look. l can do it.
What's gotten into you, Babe?
NormaIly you'd blast this town wide open before letting Cobb get away with this.
He's not getting away with anything.
Babe, get me some stuff on this guy and you can have--
- Can I have a month's vacation? - With pay.
With pay? Leave four columns open on the front page tomorrow.
l'll keep the whole front page open. What are you gonna do?
Have lunch.
The first time l ever had a suit made on purpose.
lt's merely a suggestion, Mr. Deeds...
but if you'll give me power of attorney, we'll take care of everything.
It'll save you a lot of annoyances. Everyone will try to seIl you something.
There have been a lot of them aIready. Strangest kind of people.
Salesmen, politicians, moochers. AlI want something.
Haven't had a minute to myseIf. Haven't seen Grant's tomb yet.
Your uncle didn't bother with that sort of thing. He left everything to us.
He traveled, enjoyed himself.
You should do the same thing.
Besides wanting to be my lawyer...
you want to handle my investments too?
- Yes. That is to say-- - How much extra would it cost?
- No extra charge. - That's a lot of extra work.
But that's a service Cedar, Cedar, Cedar and Budington usualIy donates.
Budington.
l can't think of a rhyme for Budington yet.
The gentlemen from the opera are stilI waiting in the board room, sir.
They're getting a trifle impatient.
l forgot about them. What do you think they want?
Your uncle was chairman of the board. They probably expect you to carry on.
l'lI tell those mugs to keep their shirts on and that you'll be right down.
Oh, did you send that telegram to Jim Mason yet?
Jim Mason? Oh, yeah, yeah.
No, l didn't send it. l've got it written out, though. Here it is.
""Arthur's been with the tailor works too long. Stop.
Don't think we should fire him. LongfelIow.''
Send it right away. l don't want him to fire Arthur.
Sure, we don't want to fire Arthur.
He was the Iast baby my father delivered, Arthur was.
You ought to give this matter some thought.
l mean about the power of attorney.
Oh, yes, l will. I'Il give it a lot of thought.
There was a felIow named Winslow here a while ago...
wanted to handle my business for nothing too.
Puzzles me why these people want to work for nothing. lt isn't natural.
l guess l'd better think about it some more.
That's that.
You go to an awful lot of work to keep a fella warm.
Yes, sir.
A Mr. HaIlor to see you, sir.
HaIlor? Don't Iet him in.
Why not? Who's he?
A lawyer representing a woman. Some claim against the estate.
If he has a claim, we'd better see him. Send him in.
He'lI cause you a lot of trouble.
How can he make trouble for me? I haven't done anything.
- l told you to take this up with me. - I'm tired of being pushed around.
I don't care how important you are.
- Mr. Deeds, l represent Mrs. Semple. - Mrs. Semple?
Your uncIe's common-law wife. She has a legal claim on the estate.
- Suppose we let the courts decide-- - You wouldn't dare take this to court.
I'll leave it to you.
Would any court not be in sympathy with a woman who gave up her best years...
for an oId man like your uncle?
- What kind of wife did you say? - Common-law wife.
- On top of that, there's a child. - Child? My uncle?
- Yes, sir. - That's awfuI.
The poor woman should be taken care of immediately.
l'm glad to see you're willing to be reasonable.
If she was his wife, she should have the money. l don't want a penny.
Don't make any rash promises.
Better go. That opera mob is about to break into the mad song from Lucia.
l don't wanna keep them waiting. They're important peopIe.
- Very good, sir. - l can't go down Iike this.
l wish you'd go along with me, Cobb. They're all strangers to me.
- What about it, Mr. Deeds? - Huh?
Oh. You'll excuse me, won't you? I'Il be right back.
Gee, I'm busy. Do the opera people always come here for their meetings?
- Uh-huh. - That's funny. Why's that?
Why do mice go where there's cheese?
l'm led to believe the young man's quite chiIdish.
We won't have any difficulty getting him to put up the entire amount.
- After alI, it's only $180,000. - Excellent idea.
We're very fortunate the young man is so sympathetic toward music.
He plays the tuba in the town band.
- Here he comes. - Good.
The first order of business will be eIecting a new chairman of the board.
As a sentimental gesture toward the best friend that opera ever had--
the late Mr. Semple--
l think it only fitting that his nephew, Mr. Longfellow Deeds...
should be made our next chairman.
- l therefore nominate him. - Seconded.
- All those in favor? - Aye!
Carried.
Our congratulations, Mr. Deeds.
- l'm chairman? - Yes. You've just been elected.
- I'm chairman! - Happy voyage.
Right here, Mr. Deeds.
Now, the next order of business-- the reading of the secretary's minutes.
- Move we dispense with it. - Seconded.
- AlI in favor? - Aye!
l think they can be dispensed with.
-We're ready for the treasurer's report. -Move we dispense with it.
- Seconded. - All in favor.
Quite right. Now, gentlemen, the next order of business--
Just a minute. What does the chairman do?
WeIl, the chairman presides the meeting.
That's what l thought.
But, if you don't mind, l'm rather interested in the treasurer's report.
The treasurer reports a deficit of $180,000 for the current year.
A deficit? You mean we lost that much?
You see, Mr. Deeds, the opera is not conducted for profit.
lt isn't? What is it conducted for?
lt's an artistic institution.
- We own an opera house, don't we? - We do.
- And we give shows? - We provide opera.
But you charge-- l mean, you seIl tickets?
- Of course. - And it doesn't pay?
Impossible. The opera has never paid.
Well, then, we must give the wrong kind of shows.
There isn't any wrong or right kind. Opera is opera.
l guess, but I wouldn't care to be head of a business that kept losing money.
That wouldn't be common sense.
lncidentalIy, where is the $180,000 coming from?
Well, we were rather expecting it to come from you.
- Me? - Naturally.
Excuse me, gentlemen. There's nothing natural about that.
Fire engine!
Gee, that was a pip!
We're gonna have one like that in Mandrake Falls soon, with a siren too.
Uh, where were we?
You see, the opera is not conducted like any ordinary business.
- Why not? - Because it just isn't a business.
Maybe it isn't to you, but it certainIy is to me...
if l have to make up a Ioss of $180,000.
lf it's losing that much money, there must be something wrong.
Maybe you charge too much. Maybe you're selling bad merchandise.
A Iot of things. l don't know.
You see, I expect to do a lot of good with that money...
and I can't afford to put it into anything that l don't Iook into.
That's my decision for the time being, gentlemen.
Good-bye, and thank you for making me chairman.
Gentlemen, you'lI find the smelling salts in the medicine chest.
Sorry to keep you waiting.
Those opera people are funny. They wanted me to put up $180,000.
- What about it, Mr. Deeds? - l turned them down, naturally.
- No, l mean about my client. - Oh.
We'll have to do something about the common wife.
- Tails tonight, sir? - Tails?
Why, that's a monkey suit.
You want peopIe to laugh at me? l've never worn one of those in my life.
Good-bye, and thank you, sir.
Good-bye. Wants me to wear a monkey suit.
- We don't want to appear greedy. - Huh?
- l say, we don't want to appear greedy. - Oh, that.
- What are you doing? - Assisting you, sir.
l don't want anybody holding the ends of my pants. Get up from there.
Imagine that. Holding the ends of my pants.
Mrs. Semple is entitled by law to one-third of the estate.
- Don't ever get on your knees again. - No, sir.
What'd you say?
Mrs. Semple is entitled to one-third of the estate.
One-third. That's about seven million dollars.
Well, we didn't expect that much.
l'm sure I can get her to settle quietIy for one million.
Take up any settlement talk with me in the office.
l'll do no such thing.
That's right. There's only one pIace you're going, and that's out the door.
- You're making a mistake. - Oh, no, I'm not.
l don't like your face.
Besides, there's something fishy about a person who'd settIe for a million...
when they can get seven miIlion.
l'm surprised that Mr. Cedar, who's supposed to be a smart man...
couldn't see through that.
Now, wait a minute, buddy--
One nice thing about being rich-- you ring a belI and things happen.
When the servant comes in, Mr. Hallor, l'll ask him to show you to the door.
Many people don't know where it is.
No use in getting tough. That'll get you nowhere. We've got letters.
- Show Mr. Hallor to the front door. - Yes, sir.
There isn't any wife, there aren't any Ietters, and I think you're a crook...
so you'd better watch your step.
I can't hold out any Ionger.
Lamb bites wolf. BeautifuI.
lt's only common sense.
I can't hold out any Ionger either, Mr. Deeds.
Being an attorney for you will be a very simple affair.
You're not my attorney yet, not until l find out what's on your mind.
Suppose you get the books straightened out so I can have a look at 'em.
Yes, of course, if you wish.
But you must be prepared. This sort of thing will be daily routine.
lf it becomes annoying, you let me know.
Good-bye, Mr. Deeds.
Good-bye, sir.
Even his hands are oily.
WeIl, how about tonight? What would you like in the way of entertainment?
Entertainment?
Your uncle had a weakness for dark ones. Tall and stately.
How wouId you like yours? Dark or fair?
Tall or short? Fat or thin? Tough or tender?
- What are you talking about? - Women.
Ever heard of 'em?
Oh!
- Name your poison, and l'll supply it. - Some other time, Cobb.
Okay. You're the boss.
When your blood begins to boil, yell out.
I'll be seeing you.
He talks about women as if they were cattle.
Every man to his taste, sir.
Tell me, Walter, are all these stories l hear about my uncle true?
Well, sir, he sometimes had as many as 20 in the house at the same time.
- Twenty? What'd he do with 'em? - That is something l never found out.
Hey! You going out?
- Yes. lsn't that all right? - No.
- You never go out without telling us. - Who are you?
We're your bodyguards.
- Oh, yeah? - Yeah.
Mr. Cobb said stick to your tail.
That's very nice of Mr. Cobb, but l don't want anybody sticking to my taiI.
Sorry, mister. Orders is orders.
We gotta get you up in the morning, put you to bed at night.
Only it's alI right. No matter what we see, we don't see nothin', see?
- That's gonna be fun. - Some people like it.
- WiIl you do something for me first? - Sure.
Put that away, slug. At your service.
- Would you get my trunk out for me? - Certainly.
With pleasure.
We're your bodyguards! You can't do this!
There he is.
- That's him. - That's who?
- Get your cameras ready and follow me. - What are you gonna do?
Never mind. Follow me and grab whatever you can get.
It's gonna be the same oId thing.
- That dame is nuts. - Right.
You fainted.
Oh, did l? l'm sorry.
- Can I help you? - No, thank you. I'Il be all right.
This is my house.
- l'd like to-- - Oh, no, really, l'll be all right.
What happened?
Well, l-- I guess l walked too much.
l've been Iooking for a job all day.
l found one too. l start tomorrow.
You've been awfuIly kind. Thank you very much.
Hey! Taxi!
Hey, Stu, folIow that cab they just got into, will ya!
- Hurry up! Step on it! - Come on, let's go!
Feel better now?
This tastes so good.
Mr. Deeds, l don't know how l can ever thank you.
Tell me more about yourself.
Well, l guess l've told you almost everything there is to teIl.
My foIks live in a small town near Hartford.
I'm down here aIone trying to make a living.
l'm reaIly just a nobody.
Oh, that was so lovely. Thank you.
You were a Iady in distress, weren't you?
What?
Nothing.
Waiter.
- Has anybody come in yet? - Uh, no. Nobody important.
Be sure and point them out to me.
l'm a writer myself, you know. l write poetry.
Well...
you've been having quite an exciting time, haven't you?
With all these meetings, business deaIs, society peopIe...
haven't you been having fun?
No.
That is, I didn't until I met you. l like talking to you though.
lmagine my finding you right on my doorstep.
- Brookfield's just come in. - Who? The poet? Where?
Over at that big round table. The one that Iooks like a poodle.
Look, there's Brookfield, the poet.
ReaIly?
Pardon.
LongfelIow Deeds, who just inherited the Semple fortune, wants to meet you.
Oh, yes. l read about him. He writes poetry on postcards.
Let's invite him over. Might get a couple of laughs.
Getting rather duIl around here.
lt's aIways dull here.
- l'll get him. - Good.
Mr. Henneberry. Mr. Morrow. BilI.
This is Mr. Deeds and his fiancee from Mandrake FalIs.
How do you do, Mr. Deeds?
Nice of you to ask us to come and sit with you.
Back home we never get a chance to meet famous people.
- Waiter, a little service here. - Yes, a drink for Mr. Deeds.
- l don't want it, thank you. - You must. All poets drink.
Tell me, Mr. Deeds, how do you go about writing your poems?
We craftsmen are very interested in one another's methods.
Do you have to wait for an inspiration, or do you just dash it off?
- WelI, I-- - Morrow just dashes them off.
Yeah. That's what my publishers have been compIaining about.
Well, your readers don't complain, Mr. Morrow.
Oh. Thanks.
How about you, Mr. Deeds?
Well, I write mine on order.
The people l work for telI me what they want, and then l write it.
Amazing!
Why, that's true genius.
Have you any pecuIiar characteristics when you're creating?
WelI, I-- l play the tuba.
How original.
Well, l've been pIaying the harmonica for 40 years.
Didn't do me a bit of good.
You wouldn't have one in your pocket, would you?
What, a tuba?
No, a postcard with one of your poems on it.
- Oh, no. - You don't carry a pocketful with you?
Oh, too bad. l was hoping you'd autograph one for me.
- l was too. - Now wait a minute, boys.
Perhaps Mr. Deeds would recite one for us.
That's a very good idea.
Nothing like a poet reciting his own stuff.
How about a Mother's Day poem?
ExactIy. Give us one that rings the great American heart.
Yes. Go ahead.
l get the idea. l know why l was invited here-- to make fun of me.
- Oh, not at all. - Don't be ridicuIous.
Look, he's temperamental.
Yeah? What if I am? What about it?
lt's easy to make fun of somebody if you don't care how much you hurt 'em.
I think your poems are swell, Mr. Brookfield...
but l'm disappointed in you.
l must look funny to you...
but maybe if you went to Mandrake Falls you'd Iook just as funny to us...
only nobody would Iaugh at you and make you feel ridiculous...
because that wouldn't be good manners.
Maybe writing postcard poems is comical, but a lot of peopIe think they're good.
Anyway, it's the best l can do.
So if you'll excuse me, we'lI be Ieaving.
l guess l found out that all famous peopIe aren't big people.
Just one thing more.
lf it weren't for Miss Dawson being here, l'd bump your heads together.
Oh, l don't mind.
Then l guess maybe l will.
Waiter!
Eureka!
Stop it. Go away, go away.
Step aside.
Say, felIa, you neglected me and I feel very put out.
Look, sock it right there, will ya? Sock it hard.
- l've got it off my chest. - Oh, listen.
The difference between them and me is, I know when l've been a skunk.
You take me to the nearest newsstand and l'll eat a pack of your postcards raw.
Raw!
Oh, what a magnificent deflation of smugness!
Pal, you've added ten years to my life.
A poet with a straight left and a right hook? Delicious. Delicious.
You're my guest from now on, forever and a day, even unto eternity.
- Thanks, but we're going sightseeing. - Fine. Fine. Swell.
You've just shown me a sight lovely to behoId, and I'd like to reciprocate.
Listen, you hop aboard my magic carpet-- Thanks--
and l'll show you sights that you've never seen before.
l'd like to see Grant's tomb and the Statue of Liberty.
You'll not only see those, but before the evening's half through...
you'lI be leaning against the Leaning Tower of Pisa...
you'll mount Mount Everest.
l'lI show you the pyramids and alI the little pyramidees...
leaping from sphinx to sphinx.
Pal, how would you like to go on a real old-fashioned binge?
- Binge? - Yeah, l mean the reaI McCoy.
You pIay saloon with me...
and l'll introduce you to every wit, nitwit and half-wit in New York.
We'll go on a twister that'll make Omar the soused phiIosopher of Persia...
Iook like an anemic on a goat's miIk diet.
- That oughta be fun, huh? - Fun? Say--
Listen, I'll take you on a bender...
that will live in your memory as a thing of beauty and a joy forever.
Boy? Boy, my headpiece!
O Tempora! O Mores! O Bacchus!
- Oh, you're drunk. - Oh, you're right!
- lf we go with him, we'll see things. - I guess we will.
""'I play the tuba to help me think.'
This is one of the many startling statements made by Longfellow Deeds...
New York's new Cinderella Man...
who went out Iast night to prove that his uncle, the Iate M.W. Semple...
from whom he inherited 20 miIlion dollars...
was an amateur in the art of standing the town on its cauIiflower ear.''
""Cinderella Man.'' That's sensational, Babe, sensational.
Took some high-powered acting, beIieve me.
- Did it? - I was the world's sweetest ingenue.
Is he really that big a sap?
He's the original. There are no carbon copies of that one.
""CindereIla Man.'' That'll stick to him for the rest of his life.
Can you imagine Cobb's face when he reads this?
lf we could seIl tickets, we'd make a fortune.
- How'd you get the picture? - Had the boys folIow us.
Marvelous.
""At 2:00 a.m. Mr. Deeds tied up traffic...
while he fed a bagful of donuts to a horse.
When asked why he was doing it he replied...
'To see how many donuts the horse would eat before he asked for some coffee.'''
BeautifuI! What happened after that?
l don't know. l had to write the story. He was so drunk he never even missed me.
When are you gonna see him again?
Tonight, maybe.
l'll phone him at noon-- my lunch hour.
l'm a stenographer, you know. Mary Dawson.
You're a genius, Babe, a genius.
I even moved into MabeI Dawson's apartment...
in case oId snoopy Cobb might start Iooking around.
Good. Stay there. Don't show your face down here.
l'll say you're on vacation. No one will know where the stories are coming from.
Stick close to him. You can get an exclusive out of him every day.
We'll have the other papers crazy.
- Babe, l could kiss ya! - Oh, no. No.
- Our deal was for a month's vacation. - Sure.
- With pay. - You'll get it, Babe.
Mr. Deeds, sir.
You really must get up. lt's late.
- You're Walter, aren't you? - Yes, sir.
Just wanted to make sure.
lf you'Il permit me to say so, sir, you were out on quite a bender last night.
Bender? You're wrong, Walter.
We started out to a binge, but we never got to it.
Yes, sir.
- What's that? - A prairie oyster, sir.
Prairie oyster?
Yes, sir. lt makes the head feel smaller.
Oh.
- Has Miss Dawson caIled yet? - No Miss Dawson has called, sir.
She was the lady in distress.
She wouldn't let me help her. Had a lot of pride. I like that.
Oh, l do too, sir.
l'd better call her up and apologize. l don't remember taking her home.
l'd venture to say you don't remember much of what happened last night, sir.
What do you mean? l remember everything.
Hand me my pants. l wrote her phone number on a piece of paper.
You have no pants, sir.
You came home last night without them.
- I did what? - You came home without any clothes.
You were in your shorts.
Yes, sir.
l couldn't walk around on the streets without any clothes. l'd be arrested.
That's what the two poIicemen said, sir.
- What two policemen? - The ones who brought you home, sir.
They said you and another gentleman kept going up and down the street shouting...
""Back to nature! Clothes are a blight on civilization! Back to nature!''
Listen, WaIter, if a man named Morrow calls up, tell him l'm not in.
He may be a great author, but...
l think he's crazy, Walter.
Yes, sir.
Oh, by the way, did you--
-The knee. -But how will l put on the slipper, sir?
Yes, sir.
l beg pardon, sir, but did you ever find what you were looking for, sir?
Looking for?
You kept searching me last night, sir, going through all my pockets.
You said you were looking for a rhyme for ""Budington.''
- Better bring me some coffee, Walter. - Very good, sir.
Oh, I beg pardon. A telegram came for you, sir.
l'll get you some black coffee, sir.
Did you see aIl this stuff in the paper?
- Arthur wants to quit. - Arthur? Who's Arthur?
He's the shipping clerk at the tailor works.
Wants a two-dolIar raise, or he'lI quit.
What do I care about Arthur? Did you see this stuff in the paper?
How did it get in there? What did you do last night? Who were you talking to?
And what did you do to those bodyguards?
They quit this morning. Said you Iocked them up.
They insisted on following me.
- What do you think bodyguards are for? - What do they mean by this?
- ""Cinderella Man.'' - Are those stories true?
""CinderelIa Man''?
They'd caIl you anything if you gave 'em a chance. They got you down as a sap.
- l'll punch this editor in the nose. - No, you don't! Get this clear.
Socking people in the nose is no solution for anything.
- Sometimes it's the only solution. - Not editors. Take my word for it.
- If they're gonna poke fun at me, l'm-- - Listen, Longfellow.
You got brains, kid.
You'll get along swell if you'll only curb your homicidal instincts.
And keep your trap shut. These newshounds are gunning for you.
- What about this ""Cinderella Man''? - I'll take care of that.
l'll keep that stuff out of the papers, if you'll help me.
But l can't do anything if you go around talking to people.
WiIl you promise me to be careful from now on?
Yes, l guess l'll have to.
Thank you.
lf you feel the buiIding rock, it'll be me, blasting into this editor.
Cobb's right. l mustn't talk to anybody.
- Miss Dawson on the phone, sir. - Who? Miss Dawson?
- Yes, sir. - Fine. I'll talk to her.
Give me the phone, quick.
She's the only one l'm gonna taIk to.
- Awfully nice of you to show me around. - l enjoy it.
The aquarium was swell. lf l lived in New York, l'd go every day.
l bet you do.
l'd Iike to, but l have a job to think of.
You'd better keep following that bus!
Keep your shirt on!
- Looks like no pictures tonight. - Maybe l oughta get him drunk again.
Got any news? l mean, has anything exciting been happening Iately?
Sure. l met you.
What's happening about the opera?
Oh, that. We had another meeting. l told 'em l'd go on being chairman if--
- l'm chairman, you know. - Yeah, l know.
l told 'em l'd play along if they lowered prices...
cut down expenses and broadcast.
Oh. What'd they say?
Gee, you look pretty tonight.
- What'd they say? - Huh? Oh.
They said l was crazy. They said l wanted to run it like a grocery store.
What are they going to do?
Do you always wear your hair like that?
Isn't it a scream? ""CindereIla Man.'' The dope.
Like to get my hooks into that guy.
Don't worry. Someone's probably taking him for plenty.
lf they were men l'd knock their heads together.
- Have you seen the papers? - Uh-huh.
That's what I like about you. You think about a man's feelings.
l'd Iike to punch the fella in the nose that's writing that stuff.
""Cinderella Man.''
Pretty soon everybody'lI be calIing me CindereIla Man.
Would you like to walk the rest of the way? lt's so nice out.
- Yes. - Yeah, let's.
Hey, wise guys, he's getting off.
Come on, pull up to the curb!
Oh, come on. Don't you want to see it?
Well, feast your eyes. Grant's tomb.
ls that it?
Hey, beetle puss.
The tomb.
WelI, there you are. Grant's tomb. l hope you're not disappointed.
- lt's wonderful. - To most people it's an awful letdown.
Huh?
I say, to most people it's a washout.
That depends on what they see.
- And what do you see? - Me?
Oh, l see a small Ohio farm boy...
becoming a great soldier.
I see thousands of marching men.
I see GeneraI Lee, with a broken heart, surrendering.
I can see the beginning of a new nation, Iike Abraham LincoIn said.
And l can see that Ohio boy being inaugurated as president.
Things like that can only happen in a country like America.
Excuse me.
Sorry, Mr. Hopper. Mr. Cedar won't answer his phone.
- What's going on in the boss's office? - Search me.
The three C's and little ""B'' have been in there over an hour.
l don't want to be critical, but--
Yes, l know. A week's gone by and we haven't got power of attorney yet.
- Yes, but you said-- - l can't strangle him, can I?
It's ridiculous for us to have to worry about a boy like that.
Look at these articles. ""Cinderella Man.''
- He's carrying on like a idiot. - Exactly what l was saying--
Who cares?
- Yeah? - Mr. and Mrs. Semple are still waiting.
Let 'em wait.
They've been in every day this week.
- Who are they? - ReIatives of oId man Semple.
They keep insisting they should have some nuisance vaIue.
- Nuisance value? - lf not for Deeds, they'd be rich.
Nuisance value.
Maybe they have.
Mr. and Mrs. Semple, please.
How do you do? l'm so sorry to have kept you waiting.
What was my secretary thinking, keeping you waiting this long?
WilI you have a cigar, Mr. Semple?
Thanks.
- There's Times Square. - You can almost spit on it, can't you?
Why don't you try?
lt's breezy up here.
You're worried about those articles they're writing about you, aren't you?
Oh, l'm not worrying anymore.
They'lI go on writing 'em until they get tired.
You don't believe aIl that stuff, do you?
Oh, they just do it to sell the newspapers, you know.
Yeah, l guess so.
What puzzles me is why people seem to get so much pIeasure...
out of hurting each other.
Why don't they try liking each other once in a while?
ShalI we go?
Here's a nice place.
Yeah. Anyway, there aren't any photographers around.
You said something to me when you first met me l've thought about a great deal.
- What's that? - You said l was a lady in distress.
Oh. That.
- What did you mean by that? - Nothing.
Have you got a--
Are you engaged or anything?
- No. Are you? - No.
You don't go out with girls very much, do you?
- l haven't. - Why not?
Oh, I don't know.
You must've met a lot of society girls. Don't you like them?
I haven't met anybody here that l like particularly.
They all seem to have St. Vitus' Dance. Except you, of course.
People here are funny.
They work so hard at living, they forget how to live.
Last night, after I left you, l was walking along...
and looking at the tall buiIdings...
and I got to thinkin' about what Thoreau said--
""They created a lot of grand palaces here...
but they forgot to create the noblemen to put in them.''
l'd rather have Mandrake FaIls.
- l'm from a small town too, you know. - Really?
- Probably as small as Mandrake Falls. - What do you know about that!
lt's a beautiful Iittle town too.
Grove poplar trees right along main street.
Always smells as if it just had a bath.
- l've often thought about going back. - You have?
Oh, yes.
I used to have a lot of fun there. l loved going fishing with my father.
You know, that's funny. He was a lot like you, my father was.
He talked like you too.
Sometimes he let me hold the line while he smoked.
We'd just sit there for hours.
After a while, for no reason, l'd go over, kiss him, sit in his lap.
He never said very much, but once l remember him saying...
""No matter what happens, honey, don't complain.''
He sounds Iike a person welI worth knowing.
- He played in the town band too. - He did?
- I play the tuba. - Yeah, l know.
- What did he play? - Drums. He taught me to pIay some.
- He did? - Mm-hmm. l can do ""Swanee River.''
- Would you like to hear me? - Sure.
Let's see, now.
Way down
Upon fhe Swanee River
Far, far away
There's where my hearf is going ever
There's where fhe old folks stay
Oh, l suppose you could do better.
Sure. l can sing ""Humoresque.''
l bet you don't even know how it goes.
Sure. You sing it over again, and l'lI do ""Humoresque'' with it.
You better be good.
l wonder if they want to make it a quartet.
- Ready? - Yeah.
Way down upon fhe Swanee River
Far, far away
There's where my heart is going ever
There's where fhe old folks sfay
All the world is sad and dreary
Everywhere l go
Fire engines.
Fire engine! l wanna see how they do it. Wait for me, wilI you?
Looks like the evening's not gonna be wasted.
Hello. What do you want?
Captain Deeds, fire volunteer, Mandrake Falls.
Hi, Cap. Boys, meet the captain.
- What's the matter, hon? - Nothing.
What's up, Babe? Something's eatin' you.
No, it's nothing.
My unfailing instinct tells me something's gone wrong with the stew.
Don't be ridiculous.
You haven't gotten very far, have you? That's where you were an hour ago.
Let's knock off and go down to Joe's. The gang's waitin' for us.
I can't write it, Mabel. l don't know what's the matter with me.
Uh-uh.
Yeah, she's here. Who wants her?
Who?
Oh, yes. Yes, just a moment.
lt's him. Whatchamacallit. The Cinderella Man.
Couldn't sleep. Kind of wanted to talk to you. Do you mind?
No, not at all. I couldn't sleep either.
l wanted to thank you again for going out with me.
Huh?
l don't know what l'd do without you.
You've made up for all the fakes l've met.
Well, that's very nice. Thank you.
You know what l've been doin' since l got home?
I've been workin' on a poem.
lt's about you.
Sometimes it's kind of hard for me to say things, so I write 'em.
l'd like to read it sometime.
Maybe l'lI have it finished next time I see you.
WiIl I see you soon?
Gosh, that's swell, Mary. Good night.
MabeI, that guy's either the dumbest, most imbecilic idiot in the world...
or the grandest thing alive.
- l can't make him out. - Uh-huh.
- l'm crucifying him. - People have been crucified before.
Why do we have to do it?
You started out to be a successful newspaperwoman.
- And then what? - Search me. Ask the Gypsies.
Here's a guy that's wholesome and fresh.
To us he Iooks like a freak.
Do you know what he told me tonight?
When he gets married he wants to carry his bride over the threshoId.
The guy's balmy.
ls he? Yeah, l thought so too.
I tried to laugh, but it stuck in my throat.
Cut it out, will ya? You'lI get me thinking about Charlie again.
He's got goodness, Mabel.
Do you know what that is?
Of course you don't. We've forgotten. We're too busy being smart alecks.
Too busy in a crazy competition for nothing.
l beg pardon, sir.
- Madame Pomponi is on the telephone. - Who?
Madame Pomponi. She says that everything is all set for the reception.
- Don't come in here when I'm playing. - But she's on the telephone, sir.
Get out. The evil finger's on you.
- The finger, sir? - Get out!
Stop!
- Did you hear that? - What, sir?
Why, that's an echo, sir.
- You try it. - Me, sir?
Louder.
- You try it. - Me, sir?
Louder.
You try it.
All together.
Again.
Let that be a lesson to you.
Go back to your rooms, both of you.
Hello, darIing.
- So good of you to come. - Oh, Madame Pomponi.
- I'm so happy to have you here. - l'm dying to see the Cinderella Man.
-Shh. He may hear you. -Even if he did, he wouldn't understand.
Bad as that, eh?
I hear he still believes in Santa Claus.
Will he be Santa CIaus? That's what l wonder.
Are your slippers ready for the Cinderella Man?
- Think he'lI go for that? - Don't be bashful.
With 20 million dollars, he doesn't have to have looks.
He won't have it long with that Pomponi woman hanging around him.
My dears, l hear that he can't think unIess he plays his tuba.
You're a fool, Babe.
I just couldn't stand seeing him again.
Running away is no solution. What'll l tell him if he caIls up?
Tell him I had to leave suddenly. Got a job in China, someplace.
- You're acting like a schoolgirl. - What eIse can l do?
Keeping this up's no good. He's bound to find out sometime.
At least I can save him that.
- Where is everybody? - Come on, Babe. The artillery's ready.
It's those two sore spots again.
- Should've been down to the office. - Yeah. Mac threw Cobb out again.
- Boy, was he burning. - Just a minute. No, you don't.
Just one little drink, and then we're ready to shoo.
- We're not going out tonight. - l thought you had a date with him.
lt's off. He's having a party at his house.
- Say, what's the matter with her now? - You wouldn't know if l drew a diagram.
-Run along. Peddle your littIe tintypes. -Say, what is this?
Throwing us out of here is getting to be a regular habit.
ls Mary Dawson here? l'm LongfelIow Deeds.
Yes. Of course. Longfellow Deeds.
Come in. Step in, please.
You're Mabel, her sister, aren't you?
Yes. Yes. Of course. Her sister.
Yes, l've been her sister a long time.
- Is she home? - Yeah. What?
- ls Mary home? - Oh, Mary. Yes, of course.
I don't know whether she's home or not. l'll see. There she is.
- Hello. - Hello, Mary.
I waited in the park over an hour. l thought maybe you'd forgotten.
l didn't think you could come, with the party and everything.
I wouldn't let them stop me from seeing you, so l threw them out.
- You threw them out? - You mean, by the neck or something?
Sure. They got on my nerves, so l threw them out.
That'Il be in the papers tomorrow, give them something eIse to laugh at.
l don't mind, though. l had a lot of fun doing it.
- Would you Iike to go for a walk? - Yeah, if it isn't too late.
l'lI get my hat.
Nice day out-- Nice night, wasn't it-- isn't it?
Yes. Lovely. Had a lot of nice weather lateIy.
Yeah. lt'd be a nice night to go for a walk, don't you think?
Yeah, l think it'd be a swell night to go for a walk. A nice long one.
- Ready? - Gosh.
- She looks better every time I see her. - Thank you.
Good night. Don't worry. l won't keep her out late.
Thank you so much. Good night.
- My foot's asIeep. - No, you don't.
- Listen, she told us-- - No more photographs.
Glad you wanted to take a walk, Mary, 'cause l wanted to taIk to you.
Let's just walk, hmm?
AIl right.
Mary, l'm going home.
Are you? When?
A day or so, l think.
- l don't bIame you. - A man ought to know where he fits in.
l just don't fit in around here.
l once had an idea l couId do something with the money...
but they kept me so busy I haven't had time to figure it out.
l guess I'll wait tiIl I get back home.
Do you mind if I taIk to you, Mary? You don't have to pay any attention.
No, l don't mind.
AlI my life l've wanted somebody to talk to.
Back in Mandrake Falls, l used to always talk to a girl.
- A girI? - OnIy an imaginary one.
l used to hike a lot through the woods, and l'd always take this girl with me...
so l could talk to her.
l'd show her my pet trees and things.
It sounds kind of silly, but we had a lot of fun doing it.
She was beautiful.
l haven't married, 'cause l've been kind of waiting.
You know, my mother and father were a great couple.
I thought I might have the same kind of luck.
I've always hoped that someday that imaginary girl...
would turn out to be reaI.
Well, here we are again.
Yes, here we are again. Good night.
Excuse me.
Good-bye, darling.
Don't Iet anybody hurt you again, ever. They can't anyway. You're much too real.
You go back to Mandrake Falls. It's where you beIong.
Good-bye.
You know the poem l told you about? lt's finished.
Would you like to read it? It's to you.
Yes. Of course.
You don't have to say anything, Mary. You can tell me tomorrow what you think.
""l tramped the Earth with hopeless feet...
searching in vain for a glimpse of you.
Then heaven thrust you at my very feet...
a Iovely angel, too lovely to woo.
My dream has been answered, but my life's just as bleak.
l'm handcuffed and speechless in your presence divine.
For my heart longs to cry out. lf it only could speak.
I Iove you, my angeI. Be mine. Be mine.''
Oh, darling.
You don't have to say anything now. l'll wait till tomorrow to hear from you.
What's the big idea?
Stop it, Babe. Stop it.
What do you mean, you're quitting? You might as welI teIl me l'm quitting.
What's bothering you?
Last night he proposed to me.
Proposed to you? You mean, he asked you to marry him?
- Yes. - Why, Babe! That's terrific!
""Cinderella Man woos mystery girI. Who is the myster--''
Print one line of that and l'll blow your pIace up.
Sorry, Babe. Sorry. l just got carried away.
That's too bad. That would've made a sweIl story.
So, he proposed to you?
What a twist. You set out to nail him, and he--
Yeah. Funny twist, isn't it?
You haven't gone and faIlen for that mug, have you?
WeIl, l'll be. That's tough.
- What are you going to do? - l'm going to tell him the truth.
Tell him you're Babe Bennett? Tell him you've been making a stooge out of him?
l'm having lunch with him today. He expects an answer.
- lt's going to be pretty. - You're crazy. You can't do that.
He'll probably kick me right down the stairs. l hope he does.
I'll put you on another job. You need never see him again.
That's the rub.
lt's as bad as that?
TelIing him's the Iong shot. l'm going to take it.
Well, it was fun whiIe it lasted, Mac.
I'Il cIean out my desk.
- How's it going? - Yes. Quite aIl right. Thank you, sir.
- Gold? - Yes, sir.
- Fourteen karat. - Yes, sir.
- Is that the best you got? - Yes, sir.
Those flowers are too high. l won't be able to see her.
- Get a smaller bowl, will you? - A smaller bowl of fIowers, yes.
- Yes, sir. A smaller bowl of flowers. - Did you get that stuff?
- Stuff, sir? - Yeah, that goo that tastes like soap.
Yes, sir. Here it is. The pate de foie gras, sir.
That's fine. Have a lot of it, 'cause she likes it.
- Yes. - Now you got the idea.
That's fine. Sit over there, wilI you?
- Me, sir? - Yeah.
You're too tall. Slink lower, wilI you?
Yes.
More.
Now forward.
How is this, sir?
Perfect.
l wish you Iuck, sir.
Thank you. Now, don't touch a thing. Leave everything as it is.
Yes.
- Where are you? - What is it, sir? Anything happened?
""Anything happened?'' l got to get dressed. l can't meet her like this.
- But she isn't due for an hour, sir. - What's an hour? Time flies.
- My tie? - Yes, very good, sir.
Yes, sir.
Way down upon fhe Swanee River
Just as I suspected, wise guy.
l don't mind you making a sap out of yourself, but you made one of me too.
WiIl you telI the gentleman l'm not in?
Mary Dawson, hmm? Mary Dawson, my eye.
That dame took you for a sleigh ride New York wilI laugh about for years.
She's the slickest two-timing, doubIe-crossing--
- What are you talking about? - Go ahead. Sock away.
And then try to laugh this off.
She's the star reporter on the Mail.
Every time you opened your kisser, you gave her another story.
She's the dame who slapped that moniker on you : Cinderella Man.
You've been making love to a double dose of cyanide.
Shut up!
Listen, Babe. l can't let you quit now. Are you going through with this?
This is for you, Mac. Names of all the head waiters in town.
You can always buy a better choice of scandaI from them at reasonable prices.
l've seen them get in a rut like you before, but they aIways come back.
HeIlo? Yes? Just a minute. lt's for you.
A couple of weeks, you'll get the itch so bad you'll be working for nothing.
- Hello? - Babe Bennett? Just a minute.
- Hello, Mary? - Hello, darling.
Is it you who's been writing those articles about me?
Why, l was just leaving. I'll be up there in a minute.
Look-- Yes, I did, but l was just coming up to expIain.
Lisfen, darling. Wait a minufe. Please.
Listen.
I beg pardon, sir. Should l serve the wine with the squab, sir?
I beg pardon, sir?
lf l knew you were going to take it so hard, I would've kept my mouth shut.
Sorry.
Pack my things, Walter. I'm going home.
Yes, sir.
You shouIdn't be running away like this. What's going to happen to the estate?
They can have the estate.
Nobody's going to kick me out. Let me go!
l want to see that guy! Let me go!
I want to see him! There he is.
l just want to get a look at him. There you are.
l just wanted to see what kind of a man you were.
l wanted to see what a man looked like that could spend thousands on a party...
while people around him were hungry.
The Cinderella Man? Did you think how many families could have been fed...
on the money you pay out to get on the front pages?
- Let me aIone! - Let him alone.
lf you know what's good for you, you'll let me get this off my chest.
How did you feel feeding donuts to a horse?
Got a kick out of it? Got a big laugh?
Did you ever think of feeding donuts to human beings? No!
- ShaIl I call the police, sir? - No!
What do you want?
Yeah, that's aIl that's worrying you: What do l want?
A chance to feed a wife and kids. l'm a farmer. A job.
- That's what l want. - A farmer? You're a moocher.
l wouldn't believe you or anybody else on a stack of Bibles.
You're a moocher Iike all the rest of them around here, so get out.
Sure, everybody's a moocher to you.
A mongrel dog eating out of a garbage pail is a moocher to you.
- This won't do you any good. - Stay where you are! Get over there!
You're about to get some more publicity, Mr. Deeds.
You're about to get on the front page again.
See how you're going to like it this time.
What good's your money when you're six feet under? You never thought of that.
All you ever thought of was pinching pennies, you money-grabbing hick.
You never gave a thought to all of those starving people in the bread lines...
not knowing where their next meal was coming from...
not abIe to feed their wife and kids.
Not able to--
I'm gIad l didn't hurt nobody. Excuse me.
Crazy.
You get all kinds of crazy ideas.
Sorry.
l didn't know what I was doing.
Losing your farm after 20 years' work.
Seeing your kids go hungry.
Game little wife saying everything's going to be aIl right.
Standing there in the bread lines.
It killed me to take a handout. l--
l ain't used to it.
Go ahead and do what you want with me, mister.
l guess l'm at the end of my rope.
Could l take some of this home with me?
- Are you married? - Yes, sir.
- Any children? - No chiIdren.
All right, Mr. Dodsworth. l think you'll quaIify.
Take this to that desk over there for further instructions.
- Thank you very much. - Next, please.
- How many does that make? - You've okayed 819.
- ls that all? It's going awfully slow. - That's all.
We need 1,100 more.
Hello? Yes. Yeah.
The water development seems okay. l don't Iike the road layout.
Come up tonight about 10:00 and bring the maps. Right.
Here's the order for the pIows. We got a good price on them.
That's fine. Thanks. l'll Iook them over Iater.
Mr. Deeds, my wife wanted me to teIl you she prays for you every night.
l-- WelI, thanks.
- How do you do? What is your name? - George Rankin, sir.
No, no, we're not buying any bulls. What's that?
Listen, fellow. Bull's what I've been selling all my life.
We've little time. He's ordered me to turn everything over to him immediately.
We have to work fast, before he disposes of every penny.
See, I told you something could be done. l knew it all the time. Sign it, dear.
- We may get into trouble. - Don't be so squeamish.
There's millions involved. After all, you have your legaI rights.
- You're his onIy living relative. - What's it say?
That's your agreement with Mr. Cedar in case we win.
My end is going to be rather expensive. l have important people to take care of.
l have the Iegal machinery ready to go. l've been working on nothing eIse.
You say the word, and we'll stop this yokeI dead in his tracks.
- Sign it! - AIl right.
- CharIie, we're off. Papers aIl set? - All sef.
- Go to it. Charlie? - Yeah?
Find out who wrote those articles and subpoena him right away.
- So what is your name? - Christian Swenson.
- Farmer? - Yes, ma'am.
- Where is your farm? - South Dakota, north.
- South Dakota North? - South Dakota, but on the top.
- What about knocking off for lunch? - Not hungry.
l want to get through this work in a hurry, and then l want to go home.
Come on. What are you trying to do, keel over?
You haven't been out of this house in two weeks.
Maybe I'll have a sandwich. Do you mind waiting a few minutes?
Sure. lf you like to have a sandwich...
l can give you one, please.
Thanks. Thank you.
Never mind, Cobb.
Good.
- Get lunches for the rest of them. - What?
There must be 2,000 of them out there.
- That doesn't make them Iess hungry. - Okay, Santa Claus. 2,000 lunches.
Say something.
Go ahead. Tell him.
Mr. Deeds, the boys here wanted me to say a little something.
They just wanted me to say that--
They wanted me to say that we think you're swell.
And that's no baloney.
- Say something more. - Give me a chance, felIows.
We're all down and out. A fellow like you comes along, it gives us hope.
- Break it up. Get back. - They just wanted me to say that I've--
That's him.
- Are you LongfeIlow Deeds? - Yes.
Sheriff's office. We got a warrant to take you into custody.
- A what? - A warrant for your arrest.
- What's up? What do you wonks want? - l don't know nothing.
All l know is the sheriff gives me an insanity warrant to execute.
Insanity? Who says he's insane?
The complainant is a reIative of the late Martin Semple.
The charges are that Mr. Deeds is insane and incapabIe of handIing the estate.
Somebody got panic-stricken? Where do you think you're going to take him?
- County HospitaI. - Of course, that's only temporary.
The hearing wilI foIlow immediateIy.
That's fine.
Just because I want to give this money to peopIe who need it...
they think l'm crazy.
That's marvelous.
- Let's get it going. - Wait. We're going to get a lawyer.
- l'lI calI Cedar. - Don't bother.
I'm from Mr. Cedar's office. He represents the compIainant.
- Let's go. We're wasting time. - All right. l'll go.
But get your hands off me.
Come on. Get back.
Step back.
Come on. Get back.
Boss, everybody in town has been here to see him.
Yes, sir. l will. Good-bye. Sorry, lady. It's you again.
- Please. l've got to see him. - Listen, sister.
For the 14th and last time, he don't want to see nobody.
- Will you just give him my name? - Listen, toots.
Just between us, there isn't a thing in the world the matter with that guy...
till l mention your name; then he goes haywire.
What are you going to do? Sit back and Iet them railroad you?
It's as pretty a frame-up as ever hit this rotten town.
lf you'd just let me get you a lawyer.
You can't walk into that courtroom without being ready to protect yourself.
Cedar's too smart. With the talent he's got lined up against you, you'll cook.
Listen, pal. l know just how you feeI.
A blonde in Syracuse put me through the same paces.
l came out with a sour puss, but fuIl of fight.
Come on. You don't want to lay down now.
They're trying to prove you're nuts. They'll shove you in the bug house.
The moment they accused you of it, they had you haIf Iicked.
You've got to fight.
Go on. Sit down, won't you? Yes.
So long, Mr. Cobb.
Corny, listen, l've got to see him. I've got to talk to him.
Haven't you done enough damage already?
Somebody's got to help him. He hasn't a chance against Cedar.
l've been talking to everybody. l've got Mac lined up and the paper's behind him.
l can get Livingston too. With a lawyer like Livingston, he's got a chance.
You're wasting your time. He doesn't want any lawyers.
He's so low, he doesn't want anybody's help. You can take a bow for that.
As swell a guy as ever hit this town and you crucified him for some headlines.
You've done your bit. Now stay out of his way.
There he is now.
Here he is.
Cedar just sent for me. He wants to make a settlement.
Here's your chance to get out of the whole mess. What do you say?
Rise, please.
Supreme Court, State of New York, County of New York now in session...
the Honorable Judge May presiding.
Be seated.
The court wishes to warn those present it will tolerate no disturbances.
Regarding the sanity hearing of Longfellow Deeds...
You represented by counsel, Mr. Deeds?
l understand you have no counsel.
ln fact, that you have no intention of defending any of these charges.
Now, if you wish to change your mind, the hearing can be postponed.
Crazy.
Proceed.
ln the interest of my client, the onIy other living reIative...
of the late Martin W. SempIe...
we cannot permit a fortune so huge to be dissipated by a person...
whose incompetency and abnormality we shall prove beyond any reasonable doubt.
I have before me a series of articles written by a newspaperwoman...
who was an eyewitness to this conduct ever since he came to New York.
She tells how in the midst of a normal conversation...
he wouId suddenly begin playing his tuba.
She tells of his attack upon severaI of our eminent writers for no reason.
l, myself, unable to keep pace with his mental quirks and fearful of assault...
turned down an opportunity to represent him as his attorney.
This newspaperwoman, whom we have subpoenaed to testify...
tells how he heId up traffic for an hour feeding donuts to a poor horse.
We have photographs to substantiate this little episode.
Another photograph showing Mr. Deeds jumping about a fire engine.
This scarcely sounds like the action of a man...
in whom the disposition of $20 million may safely be entrusted.
The writer of these articIes, a woman...
whose inteIligence and integrity in the newspaper world is unquestioned...
held him in such contempt that she quite aptly named him the CindereIla Man.
We have witnesses here from Mandrake Falls...
his own hometown, who will tell of his conduct throughout his Iifetime...
proving that his derangement is neither a recent nor a temporary one.
We have others who will tell of his unusual behavior...
when he invited the great leaders of the musical world to his home...
and then proceeded to forcibly eject them.
- l hope he can explain that. - Yes.
Only recently, when he was in the County Hospital for observation...
he not only refused to be examined by these gentlemen-- state psychiatrists--
but he actually made a vioIent attack upon them.
ln these times, with the country incapacitated by economic ailments...
and in danger with an undercurrent of social unrest...
the promulgation of such a weird, fantastic and impractical plan--
as contempIated by the defendant-- is capable of fomenting a disturbance...
from which the country may not soon recover.
lt is our duty to stop it.
Our government is fuIly aware of its difficulties.
It can pull itseIf out of its economic rut...
without the assistance of Mr. Deeds or any other crackpot.
His attempted action must therefore be attributed...
to a diseased mind, afflicted with hallucinations of grandeur...
and obsessed with an insane desire to become a public benefactor.
Your Honor, we would like to call our first witness, Louise ""Babe'' Bennett.
Miss Bennett, pIease.
Raise your right hand, please.
Do you swear to tell the truth and nothing but the truth, so heIp you God?
- l do. - State your right name.
- Louise Bennett. - Take the stand.
Miss Bennett, are you employed by the Morning Mail?
- l ask you direct your attention to me. - Your Honor, this is ridiculous.
- Please answer the question. - The whoIe hearing's ridiculous.
- That man's no more insane than you. - Outrageous!
lt's obviously a frame-up. They're trying to railroad this man for money.
Young lady, another outburst Iike that, and I shall hold you in contempt.
We are not interested in your opinion of this case. You are to here to testify.
Sit down and answer questions. Proceed.
Thank you, Your Honor. Are you employed by the Morning Mail?
You're under oath, Miss Bennett. Again, are you employed by the Morning Mail?
l resigned last week.
Prior to that time, were you employed by the Morning Mail?
- Yes. - Were you given an assignment...
to foIlow the activities of Longfellow Deeds?
- Yes. - Did you subsequentIy write about him?
- Yes. - Are these the articles?
- Yes. - Were you present?
- Yes. - Are they true? They did take place?
-They're colored to make him look silly. -You saw them happen?
- Yes, but-- - That's all.
lt isn't all. I'd like to explain.
- I submit these articles as evidence. - Let go! What kind of hearing is this?
What are you trying to do? Persecute the man?
He's not defending himself. Somebody's got to do it.
- Please. - l've got a right to be heard.
l've attended dozens of cases like this. They're conducted without any formality.
Anybody can be heard. My opinion's as good as these quack psychiatrists'.
I know him better than they do.
lf you have quite finished, l should Iike to inform you...
that one more utterance from you, and l shall place you under arrest.
I'm wiIling to hear anything anyone has to say...
but I insist on it being done in an orderly fashion.
When you have learned to show some respect for this court, you may return.
UntiI then, you'd better go back to your seat and calm down.
This way, miss.
Order in the court.
Mr. Deeds, have you anything to say in defense of these articles?
Mark these Exhibit ""A'' for the plaintiff.
Yes, Your Honor.
Proceed.
They're rather timid, Your Honor, and wish to be together.
If the court pleases, I'll onIy have one testify.
- Yes. Get on with it. - What is your name, please?
- Jane Faulkner. This is my sister Amy. - Yes. Amy.
l'll direct my questions to you, Miss Jane.
You may answer for both. Do you know the defendant?
Yes. Of course we know him.
How long have you known him?
- Since he was born. - Yes. Elsie Taggart was the midwife.
- He was a seven-months baby. - Thank you. That's fine.
Do you see him very often?
- Most every day. - Sometimes twice.
- Must we have the echo? - Suppose you just answer, Miss Jane.
WiIl you telI the court what everybody at home thinks of Longfellow Deeds?
- They think he's pixiIated. - Yes. PixiIated.
- He's what? - What was that you said he was?
- Pixilated. - That's rather a strange word to us.
- Can you tell the court what it means? - Perhaps l can explain, Your Honor.
The word ""pixilated'' is an early-American expression...
derived from the word ""pixies,'' meaning ""elves.''
They'd say, ""The pixies had got him,'' as we'd nowadays say a man is ""balmy.''
ls that correct?
Why does everyone think he's pixilated? Does he do peculiar things?
He walks in the rain without his hat and talks to himself.
- Sometimes he whistles. - And sings.
Anything else?
- He gave Chuck Dillon a thumping. - Blacked his eye.
- Why? - For no reason, l guess.
He always does it. We run into the house when we see him coming.
Never can tell what he's going to do.
- He sure is pixilated. - Yes. He's pixilated, all right.
Thank you, ladies. That's all.
They kept hollering, ""Back to nature!''
I thought they looked harmless enough, so l took them home.
l never thought he was cracked.
I'm a waiter. He kept pressing me to point out the celebrities.
I said, ""Help me.'' l'm coming out of the kitchen a couple of minutes later...
and there he is mopping up the floors with them.
l never figured he was a guy that was looking for trouble.
He threw us out bodiIy, but bodily!
We was hired as his bodyguard, see? The first crack out of the box...
he throws us in a room and locks the door, see?
lf a thing like that gets around in our profession, we get the bird, see?
So l says to my partner, ""Let's quit this guy. He's nuts!''
l'm very fond of Clarissa. She's a nice horse.
And when this bloke here started feeding her donuts...
l yelled down to him, ""Mind what you're doing down there.''
l wouldn't mind, sir, but Clara won't eat nothin' but donuts now.
And now, if the court pIeases, l shall call upon Dr. Emil Von HaIlor...
if he'll be good enough to give us his opinion.
Dr. Von HaIlor is the eminent Austrian psychiatrist...
probably the greatest authority on the subject in the worId.
At present, he's in this country on a lecture tour...
and has graciously volunteered his services.
Do you swear the testimony you give in the cause now before this court...
shall be the truth, the whole truth and nothing but the truth?
- State your right name, please. - Emil Von Hallor.
Take the stand.
Dr. Von Hallor, would you tell the court what your opinion is of this case?
This is purely a case of manic depression.
A case of this kind, patients sometimes go on for years...
before being detected.
You remember, Dr. Fosdick, in my last book...
there were some very fine examples, especially the young nobleman.
- You remember? - Yes, Dr. Von HaIlor. Very interesting.
lt reminds me very much of this one.
lt takes so long to detect them...
because their mood changes so often and so quickly.
Now, Your Honor, may l show you? May I use the chart?
By aIl means.
BeIow here, they are extremely depressed...
melancholy, impossibIe to live with and often become violent.
From this mood...
the manic depressive might gradually change...
until they reach this state.
Here is lucidity. Here they are normal, as normal as you or I.
Assuming, of course, that we are normal.
Then the mood changes again...
untiI they reach this state...
a state of highest exultation.
Here, everything is fine. Here, the world is beautiful.
Here, they are so elated-- How to express it?
They wouId give you the shirts off their backs.
How would you say that applied to Mr. Deeds' case?
The symptoms are obvious.
When he was here, on top of the wave...
he felt nothing but kindIiness and warmth for his felIow man.
He wanted to have them around him, so he decided to give a big reception.
But in the meantime, his mood has changed.
He's now at the bottom of the wave: depressed, meIanchoIy.
So when his guests arrive, he throws them out.
They are now his imaginary enemies.
Other instances of high elations are...
when he plays his tuba, when he writes his poetry...
when he chases fire engines in a desire to heIp humanity.
This is contrasted with his present mood...
which is so low that even the instinct for self-preservation is lacking.
Your Honor, this is decidedly a case of manic depression.
Thank you very much, Doctor.
Your Honor, we rest.
What are you going to do, let them get away with it?
They've got you cooked.
He's sunk.
Before the court arrives at a decision, isn't there anything you wish to say?
Come on. Don't be a sap.
- You both concur? - AbsoIutely.
All right.
ln view of the extensive testimony, your continued silence...
and on the recommendation of the doctors...
the court considers it advisabIe, for your own safety...
that you be committed to an institution...
as prescribed by law.
You need medical attention, Mr. Deeds.
Perhaps in a little whiIe--
Wait a minute. You can't do it. You've got to make him taIk.
- Your Honor, l object. - Please. l know how horrible l've been.
No matter what happens-- if you never see me again-- do this for me.
- Please. - You said l could speak.
You said I could have my say if l were rational. l'm rationaI.
Please let me take the witness chair.
He must be made to defend himself before you arrive at a decision.
- Take the stand. - Thank you.
Your Honor, what she is saying has no bearing on the case. l object.
- Let her speak. - l know why he won't defend himseIf.
That has a bearing on the case, hasn't it? He's been hurt.
He's been hurt by everybody he's met since he came here, principalIy by me.
He's been the victim of every conniving crook in town.
The newspapers pounced on him, made him a target for their feeble humor.
l was smarter than the rest of them. I got closer so l couId laugh Iouder.
Why shouldn't he keep quiet? Every time he said anything...
it was twisted around to sound imbecilic.
He can thank me for it. l handed the gang a grand laugh.
lt's a fitting climax to my sense of humor.
- Your Honor, this is preposterous. - CertainIy l wrote those articles.
l was going to get a raise, a month's vacation.
But l stopped writing them when I found out what he was all about...
when l realized how real he was.
He couId never fit in with our distorted viewpoint...
because he's honest and sincere and good.
If that man's crazy...
the rest of us belong in straitjackets!
This is absurd. The woman's obviously in love with him.
- What's that got to do with it? - You are in Iove with him, aren't you?
- What's that got to do with it? - You are, aren't you?
- Yes! - Her testimony's of no vaIue.
Why shouldn't she defend him? It's typical of American womanhood.
Protect the weak.
l'm not saying nobody Iikes the boy. I have a fond affection for him myself.
- But that doesn't mean to say-- - I can verify what Miss Bennett said.
l'm her editor. When she quit, she told me what a swell fellow this man was...
and anything Babe Bennett says is okay with me.
lf you have anything to say, you will take the stand.
l've already said it, Your Honor. I just thought I'd like to get my two cents in.
Don't be a sucker, pal. Stand up and speak your piece.
-Your Honor, I've got a couple of cents. -Sit down.
l've been with this man ever since he came to New York.
Sit down ! There will be no further interruptions.
- How about us, Mr. Deeds? - Yes, what about us, Mr. Deeds?
- Order in the court! - You're going to leave us in the cold?
They're trying to frame you.
- Stop this. - Order!
Order.
ln the interest of Mr. Deeds, l have tolerated a great deal of informality.
But if there is one more outburst, l shalI have the courtroom cleared.
- Your Honor? - Yes?
I'd like to get in my two cents' worth.
Take the stand.
Proceed.
I don't know where to begin. There have been so many things said about me that--
About my playing the tuba. lt seems like a lot of fuss has been made about that.
lf a man's crazy just because he plays the tuba...
then somebody'd better look into it...
because there are a lot of tuba players running around loose.
I don't see any harm in it. l play mine whenever l want to concentrate.
That may sound funny to some people...
but everybody does something silIy when they're thinking.
For instance, the judge here...
is an ""O'' fiIler.
- A what? - An ""O'' filler.
You fill in all the spaces in the O's with your pencil. l was watching.
That may make you look a Iittle crazy, Your Honor...
just sitting around, filling in O's...
but l don't see anything wrong, 'cause that helps you think.
- Other people are doodlers. - Doodlers?
Yeah, that's a name we made up back home...
for peopIe who make foolish designs on paper when they're thinking.
lt's called doodling. Almost everybody's a doodler.
Did you ever see a scratch pad in a telephone booth?
People draw the most idiotic pictures when they're thinking.
Dr. Von HaIlor here could probably think up a long name for it...
because he doodles all the time.
Thank you.
This is a piece of paper he was scribbling on.
I can't figure it out. One minute it looks like a chimpanzee.
The next minute it looks like a picture of Mr. Cedar. You look at it.
Exhibit ""A'' for the defense.
Looks kind of stupid, doesn't it? But l guess that's alI right.
lf Dr. Von Hallor has to doodle to heIp him think...
that's his business.
Everybody does something different. Some people are ear pullers.
Some are nail biters.
That Mr. Semple over there...
is a nose twitcher.
The lady next to him is a knuckle cracker.
So you see, everybody does silly things to heIp them think.
WeIl, l play the tuba.
- Nice work, toots! - Order in this court!
This is becoming farcicaI. l demand Mr. Deeds...
dispense with side remarks and confine himself to facts.
Let him explain his wanderings around the street in his underclothes...
his feeding donuts to horses.
Please. Proceed.
Mr. Cedar's right. Those things do look kind of bad, don't they?
But to tell you the truth, Your Honor, l don't remember them.
l guess they happened, because I don't think a policeman...
would Iie about a thing like that, but l was drunk.
lt was the first time l was ever drunk. lt's probably happened to you some time.
l mean, when you were younger, of course.
It's Iikely to happen to anybody.
Just the other morning, I read in the paper about Mr. Cedar's own son...
how he got drunk and insisted on driving a taxicab while the driver sat inside.
lsn't that so?
- Your Honor, l object. - Proceed.
Now, about the Faulkner sisters.
That's funny, Mr. Cedar going to Mandrake FalIs to bring them here.
- Do you mind if l taIk to them? - Not at all.
Who owns the house you live in?
- Why, you own it, LongfelIow. - Yes, you own it.
- Do you pay any rent? - No, we don't pay any rent.
Good heavens, no.
- We never pay rent. - Are you happy there?
- Oh, yes. - Yes, indeed.
Now, Jane, a little while ago you said l was pixilated.
Do you still think so?
Why, you've always been pixilated, Longfellow.
- Always. - That's fine.
I guess maybe l am.
Now, tell me something, Jane. Who else in Mandrake Falls is pixilated?
Why, everybody in Mandrake Falls is pixilated, except us.
Now, just one more question.
You see the judge here. He's a nice man, isn't he?
- Do you think he's pixilated? - Yes.
Yes, indeed.
You haven't yet touched upon the most important point:
this rather fantastic idea of yours to give away your entire fortune.
lt is, to say the least, most uncommon.
Yes. Yes, I was getting to that, Your Honor.
Suppose you were living in a small town and getting aIong fine...
and suddenly somebody dropped $20 million in your lap.
Supposing you discover all that money was messing up your Iife...
was bringing vultures around your neck and making you lose faith in everybody.
You'd be worried, wouldn't you?
You'd feel that you had a hot potato in your hand, and you'd want to drop it.
l guess Dr. Von Hallor here would say you were riding on those bottom waves...
because you wanted to drop something that was burning your fingers.
If this man is permitted to carry out his plan, repercussions will be felt...
that will rock the foundation of our entire governmental systems.
Please, Mr. Cedar. Proceed.
Personally, l don't know what Mr. Cedar is raving about.
From what l can see, no matter what system of government we have...
there'll always be leaders and aIways be foIlowers.
It's like the road out in front of my house. lt's on a steep hill.
Every day, I watch the cars climbing up.
Some go lickety-split up that hilI on high; some have to shift into second.
Some sputter and shake and slip back to the bottom again.
Same cars, same gasoline, yet some make it and some don't.
l say the fellows who can make the hill should stop and help those who can't.
That's all I'm trying to do: help fellows who can't make the hilI on high.
What does Mr. Cedar expect me to do with it?
Give it to him and a lot of other people who don't need it?
If you don't mind, Your Honor, l'll ride on those top waves for a minute.
AIl you felIows up there, all those who applied for a farm, stand up.
See aIl those feIlows? They're the ones l'm trying to help.
They need it. Mr. Cedar and Mr. SempIe don't need anything. They've got pIenty.
It's like I'm out in a big boat, and I see one felIow in a rowboat...
who's tired of rowing and wants a free ride and another who's drowning.
Who would you expect me to rescue? Mr. Cedar, who wants a free ride?
Or those men out there who are drowning?
Any ten-year-old child will give you the answer to that. Thank you. Sit down.
Now, my plan was very simple.
l was gonna give each family 10 acres, a horse, a cow and some seed...
and if they worked the farm for three years, it's theirs.
Now, if that's crazy, maybe l ought to be sent to an institution...
but I don't think it is, and Mr. Cedar doesn't either.
Before the hearing, he offered to call everything off if l made a settlement.
So you see, he wouldn't think I was crazy if he got paid off.
lt's a lie growing in his warped imagination.
I never heard anything so colossally stupid in my life.
lt's an insult to our intelligence to sit and listen to such chiIdish ravings.
- You will permit Mr. Deeds to finish. - But, Your Honor--
- Anything else, Mr. Deeds? - No.
Yes. There is one more thing I'd like to get off my chest before l finish.
- Proceed. - Thank you, Your Honor.
Order! Order this man back to his chair!
Order!
Remain seated and come to order. The court is again in session.
Before the court announces its decision...
l want to warn alI who are here that the police have orders...
to arrest anyone creating a disturbance.
Mr. Deeds, there has been a great deal of damaging testimony against you.
Your behavior, to say the Ieast, has been...
most strange.
But in the opinion of the court, you are not only sane...
but you are the sanest man that ever walked into this courtroom.
Case dismissed.
You nose twitcher.
I knew it. You--
- He's stiIl pixilated. - He sure is.